No. 1 #birdofparadise featured in architectural firm’s ad campaign

No. 1 #birdofparadise, is featured in the ad campaign "Shelter" by architectural firm ARCH11 and published in Modern in Denver magazine.

Architectural firm ARCH11 features No. 1 #birdofparadise In the black and white analog photo series #birdofparadise, I imagine a paradise where recovering the voluptuousness of flight proper to creation is the greatest desire. Photograph No. 1 from #birdofparadise, was featured in the 2020 ad campaign “Shelter” by Denver architectural firm ARCH11.  A half-page advertisement was published in the Spring 2020 issue of Modern in Denver magazine.

Herculean, Pharaonic and other Garden Superlatives

Tree ferns growing in the tropical greenhouse, Château du Champ de Bataille, Normandy, France.

Herculean, Pharaonic and other Garden Superlatives One of the Seven Wonders, for which the specific location has never been established, the Hanging Gardens of Babylon are said to have contained a large variety of trees, shrubs and vines planted in tiers on raised terraces in an extraordinary feat of engineering. While visiting the Remarkable Gardens (see other garden studies with this label) of the Château du Champ de Bataille, I drew a parallel with these mythical gardens, beginning with the symbolic notion that they are said to embody: The Seven Degrees of Creation from the Mineral, Vegetal, and Animal to Humanity, Conscience, Light and Spirit, in that order. Jacques Garcia, renowned decorator, acquired the château in 1992. Working with landscape architect Patrick Pottier, they carried out the herculean task of conceiving and planting more than 240 acres of formal gardens consisting of groves, French parterres, boxwood topiary, basins, terraces, steps and fountains complimented by temples, theaters and sculptures. Hidden at the end of the garden is the “pièce de résistance” (flourish); a genuine 18th century Indian palace, reconstructed stone by stone, complete with an artificial lake: the Palace of Dreams. From the Material to the Immaterial, visitors pass from the … Read More